Atamanchuk V. P. Spirituality concept aesthetical realization in Ivan Ohienko’s play «To happiness!»

Abstract

The article is devoted to defining Ivan Ohienko aesthetical conception realized in mystery «To Happiness!».
Aesthetical peculiarities of a play are analyzed in the article, main problems are investigated, philosophical
aspects of its interpretation are defined. It is claimed that philosophical and religious aspects are necessary
components for understanding aesthetical paradigm of a play. The main conflict in the play is analyzed as such
that is based on opposition of physical and spiritual origins. It is defined which forms of artistic convention are
used for displaying personal contradictions, that specify the character of a conflict in a play. Methods of spiritual
ideals artistic realization in the play are shown.
The main object of depiction in the play – personality of main hero Vasyl. The playwright displays
subconscious processes using abstract images, when Vasyl dreams, paying attention to distinguishing every
sphere of human personality namely Mind, Heart, Soul, Body etc. Simultaneously Ivan Ohienko shows the state of
his consciousness. So, the author finds the ways to depict formation of thought about different component of hero’s
nature, that combines physical and spiritual aspects